I’d like to correct this:
“God, send us someone to cure AIDS, cancer, etc., etc.”
“I did, but you gave them a substandard education because they lived in an area with poor funding due to low property taxes.
I did, but you let them die because they couldn’t afford healthcare.
I did, but due to racism you stomped out their potential and didn’t give them the same opportunities.
I did, but you make a college education too unaffordable while giving the big bankers passes.
I did, but you saw a homeless youth before you saw a kid with potential.
I did, but you kicked the downtrodden while they were already shoulder deep in sinking sand.”
reblogging for the comment
I did, but you forced her to carry an unwanted pregnancy to term, forcing her to become a single mother with limited income, having to sacrifice her college dreams in order to provide for her unwanted child.
fucking BOOM ^
bless the god damn comments on this post.
::and also that attempt of a satire is drawn on a trailer, enough said::
Jack is hardcore as fuck
scare me like one of your french girls
For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.
You don’t fuck around with the motherfucking pumpkin king
Them: Have faith you’ll find someone eventually’